TUESDAY
SHILO: I was also fairly correct in my assessment of ABC’s new Tuesday comedies. Pairing relationship comedies together was smarter than trying to make one work behind Modern Family, but these two relationship comedies in particular just didn’t work on ABC. Despite gathering some positive buzz over the course of its season, Selfie was too initially off-putting for that word-of-mouth to translate into viewership, while Manhattan Love Story was thrown onto the schedule with very little push and seemingly no expectations. ABC might’ve been right in pushing the comedies forward and keeping them away from the disaster zone that was the 9:00 hour, but I have to wonder what would’ve happened had they premiered family comedy Fresh Off the Boat, which found a foothold in the tough Tuesdays at 8:00 hour, in the fall and left both Selfie and Manhattan Love Story on the bench for later.

Unfortunately for FOX, I was right about Utopia being a bomb in the waiting. It was a noble attempt at getting live audiences back to the broadcast networks, but it felt like a warmed over summer show put in a situation where it couldn’t really win. The competition was too tough; the format wasn’t big or bold enough to make the type of waves necessary to survive in the fall; the network didn’t have the pieces to put around it to ensure that it didn’t have a complete meltdown. FOX doing something unusual was good, considering that they need to think outside the box in order to find a hit, but this wasn’t the show to put this much money and attention behind and they paid for it with a half-hearted cancellation.
CRAIG: Bleh. Utopia. At least Tuesdays gave us The Flash, which I said “might be the biggest premiere The CW has had in years.” and I was right.
Person of Interest did all right, though CBS might have wanted more with the two NCIS lead-ins.