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    You are at:Home»Hindsight»Why VH1 Should Renew Hindsight
    Hindsight

    Why VH1 Should Renew Hindsight

    Shilo AdamsBy Shilo AdamsMar 8, 2015Updated:Mar 8, 201511 Comments6 Mins Read
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    While the sheer volume of television on the air right now can be exciting to think about, considering how many networks are taking chances and how many new ideas there are floating around, it’s often self-defeating, as there are only so many eyeballs to go around. Quality projects are slipping under the radar now more than ever thanks to increased DVR penetration, the rise of VOD viewing, and the amount of clutter a series has to fight through in order to break out. Rather than having a series of obvious renewals and cancellations, most networks are now forced to surgically examine the pros and cons that go with each project decide what separates a lost cause from a series that simply needs a little more nurturing. It’s certainly an unenviable position to be in, trying to navigate this new frontier in the television world, and as such, factors that normally wouldn’t play a role in renewal have become make or breaks in certain situations.

    One such series that hasn’t had a chance to break out is VH1 romantic dramedy Hindsight, a mish-mash of Buddhist proverbs, time travel, and 90s pop culture references that quietly debuted earlier this year. Set in 1995, the series follows 40-something Becca Brady (Laura Ramsey) as she finds herself transported 20 years into the past in order to reassess where exactly her life went wrong. It’s a Trojan Horse of a series housing important, surprisingly deep musings on regret, control, and loss, all dressed up by jokes about Melrose Place and your favorite Gin Blossoms song, and greatly differs from preconceived notions about what a VH1 series is, should be, and can be. Not surprisingly, it’s been a bit of a square peg in the round hole the network has become, but this doesn’t mean that VH1 should scrap such promise without ever giving Hindsight a chance to fulfill its potential.

    Hindsight‘s main problem is that it’s never had an opportunity to be sampled, with its series high in viewers a shade below 400,000. Tossing out its highest and lowest numbers, every rating it’s earned has been within the same 120,000 range, a steadiness that indicates an engaged audience that’s stuck around. Additionally, several of those results have come with repeat lead-ins, a sign that VH1’s decision to pair Hindsight, a fairly low-key scripted series with a big heart, with Mob Wives, one of its stable of high drama reality series, didn’t have much of an impact on the former’s success. Tonally and in terms of content, the two couldn’t be more different and it became clear early that they had their own distinct audiences; granted, Mob Wives wasn’t the worst lead-in choice VH1 could have made, but to toss Hindsight, a show that clearly didn’t fit into the core of what the network was doing, aside because it didn’t fit in with one of the network’s more outrageous offerings feels self-defeating and wasteful. Hindsight is a show that would’ve been better served by being surrounded with more similar shows (e.g. Candidly Nicole, Dating Naked, and/or Couples Therapy) that, while not as highly rated as Mob Wives, could’ve captured more of the same audience that would’ve been in tune with what it was doing.

    Were Hindsight to be cancelled, VH1 would be down to one scripted series – summer soap Hit the Floor, which doesn’t premiere until late May. With nothing else in development at the moment, a decision on Hindsight feels like it will help determine the course of VH1’s involvement in scripted programming. If it doesn’t make it, all signs point to VH1 backing away from scripted television and only focusing on shows that fit with its bigger lead-ins, which would be a shame considering that 2015 is the prime of scripted television. Although the network’s greatest successes have been reality series, having enough of a scripted presence brings the type of legitimacy that all the Love & Hip Hop incarnations in the world cannot. Scripted is the difference between being seen in the same breath as an MTV or a Lifetime, networks that VH1 isn’t that far removed from, and a TLC or a Discovery, which have consistently drawn criticism and ire in recent years. With other female-focused cable networks getting into the scripted game (e.g. Bravo with Girlfriends’ Guide to Divorce, E! with The Royals), VH1 is in a dangerous position if they cancel Hindsight. They could conceivably be ceding ground to their rivals and becoming a less important network for advertisers, who generally pay more for ads on scripted than reality, especially since they’ve already cancelled/burned off a slew of reality series in the past few months (e.g. Sorority Sisters, Bye Felicia!, Suave Says, Hollywood Exes, Eddie & LeAnn).

    Although it’s entirely valid for them to want a certain ratings level on Wednesday, which has been one of their lower priority and lower rated days for quite a while, it might be okay to use the day to nurture a scripted series and continue having a scripted presence in two quarters of the year. Keeping Hindsight would send a powerful message to the creative community – not only is VH1 open to all types of scripted programming, it’s a network that will take care of your show. It won’t act like a broadcast network and cancel shows that weren’t really given a chance to succeed; it’ll show patience with series that garner critical attention (see: Hindsight‘s 72 on Metacritic) and provide the type of support that quieter projects need in order to survive. Were Hindsight to be cancelled, it would show that VH1 isn’t willing to put in the work necessary to protect shows that fall outside its comfort zone, that any writer with a promising script that doesn’t fit a certain type should look to another network if they want a chance at success. If VH1 is serious about having a scripted footprint and about making the march toward legitimacy, about returning music to a network (see: Hindsight‘s early 90s-heavy Spotify playlist) whose only connections to the music industry have become tangential at best, they will renew Hindsight and provide such a quality project with whatever necessary in order for it to succeed.

    Despite its small audience, this is a network defining series that will determine the direction VH1 goes from here on out. And unfortunately, VH1 doesn’t have the ability to time travel and rectify the bad decision that cancelling Hindsight would be. Therefore, they should do the right thing and renew it the first time around.

    Hindsight airs Wednesdays at 10:00 on VH1. You can check out recaps for the first nine episodes of the season here, while the series is available through VH1.com, the free VH1 app, and your cable provider’s on demand service. It’s also available for purchase on iTunes.

    https://www.youtube.com/watch?v=53OO2R89mEo

    Hindsight Hindsight Season Finale Hindsight VH1 Renew Hindsight
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    Shilo Adams

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    View 11 Comments

    11 Comments

    1. Alex on Mar 10, 2015 6:53 pm

      So my wife forced me to watch the first episode. She explained the basic premise and it seemed like it could be fun. However, instead of taking advantage of the premise, VH1 has turned this show into a meandering, melodramatic soap opera. I think the cast is full of solid performers but having Becca tap into her vast knowledge of the future once per episode is a waste of a tried and true plot device. We’ve seen it done a million times but if the concept is embraced, it always seems to work…from the 1889’s (yes 1889) A Connecticut Yankee in King Arthur’s Court to The Terminator to Back to the Future to Hot Tub Time Machine. It seems the best parts of every single time travel story is the ability of the time traveler to benefit from their personal knowledge of the future. The first thing I asked my wife after watching episode one was, “why isn’t she buying Microsoft stock?”

      In the aforementioned Back to the Future, we have a fish out of water and his use of future knowledge creates humor and excitement as he strives for his goals. Becca seems to be happy to flounder despite being a strong female character, she’d prefer to “find herself.” An hour of her figuring out her feelings is just a little flat. And the show doesn’t seem to have an idea of where it’s going or where it wanted to go…does she like her first husband, does she really like the other guy, the mysterious stranger that shows up occasionally, the caricature of the brother character…it just seems they bounced around a bunch of ideas in the writers room but never quite agreed on what this show is supposed to be. (It wouldn’t shock me to find out she’s dreaming this entire schlock fest while passed out on the floor of the elevator.)

      Where is the clever? This show is the perfect vehicle for clever and we’re getting will she or won’t she. The show needs to channel Scarlett Johansson’s Lucy more and less Beverly Hills 90210 season 10.

      Shilo talks about giving the show time to reach it potential but the time travel concept isn’t explored at all. Let the story go where it wants to go! This show could be a completely different show by season 2 but it seems they are shooting very low with their season arcs. And because of it, they may not get a second chance to go nuts with the amazing opportunity to relive the last 20 years. What if she was able to pick every single world series and super bowl champ? What if she were able to stop 9.11? What if, what if, what if…but we get a mention of “the internet, I like that phrase” and “it’s called ‘viral marketing.’ Really?

      Buffy the Vampire Slayer wasn’t about vampires, it was about metaphors and the characters growing into something greater in a world where vampires happen to exist. The Walking Dead is the same idea. It’s not about zombies, it’s about people that happen to live in a world where zombies exist. This show is a soap opera that happens to take place with a lead character that went back in time but the writers clearly aren’t interested in embracing the unique component that could make the show interesting to a wider audience. Vampires and Zombies move the story along. In this case, the time travelling aspect is an after thought.

      From my Buffy and Walking Dead references, you can tell I’m probably not their target audience…but who is their target? It’s a time travel soap opera that doesn’t embrace time travel. Maybe they were going for The Notebook.

    2. Kevin on Mar 10, 2015 9:04 pm

      I disagree with “Alex” (love the avatar!)

      I don’t think it needs to be clever. I like that it is focusing instead on relationships and friendships, and it seems lately that they are focusing on her inability to actually alter the future.

      I prefer that they don’t embrace the time travel too much because after a few weeks, Becca is probably wondering if she dreamed the whole future anyway.

      It’s just a fun show with some nice twists. It’s not a genre piece like Buffy or BTTF. The time travel is the least important thing about it because there was only one time travel event, and now she has to deal with the aftermath. I like that.

      We already had Buffy (and after Dawn-y showed up, that thing was toast anyway). We don’t need another one, even if they insist on a new movie version. We need more Hindsight. It’s the only thing I watch on VH1!

    3. Kevin on Mar 10, 2015 9:04 pm

      I disagree with “Alex” (love the avatar!)

      I don’t think it needs to be clever. I like that it is focusing instead on relationships and friendships, and it seems lately that they are focusing on her inability to actually alter the future.

      I prefer that they don’t embrace the time travel too much because after a few weeks, Becca is probably wondering if she dreamed the whole future anyway.

      It’s just a fun show with some nice twists. It’s not a genre piece like Buffy or BTTF. The time travel is the least important thing about it because there was only one time travel event, and now she has to deal with the aftermath. I like that.

      We already had Buffy (and after Dawn-y showed up, that thing was toast anyway). We don’t need another one, even if they insist on a new movie version. We need more Hindsight. It’s the only thing I watch on VH1!

    4. sherry on Mar 12, 2015 12:21 pm

      My husband and I love Hindsight!! I will be so upset if it gets cancelled and if it does I hope it becomes a book because I need to know!! This is the only show I watch on VH1!

    5. jenny lopes on Mar 12, 2015 3:55 pm

      Disagree with Alex as well! Hindsight is by far the best show I have seen! Emily fox is brilliant….love the 90’s theme it takes me back and makes me forget about my real life problems! Please renew!

    6. Kari on Mar 12, 2015 7:31 pm

      Please renew!! Love this show. Plz Don’t leave us hanging on what will happen in season two!!!

    7. Samantha on Mar 12, 2015 11:27 pm

      I’m a big fan of HINDSIGHT.. I loved the cast. It’s not predictable. I hope they have another season. Vh1 please don’t take Hindsight away. Please renew another season. I watched every episode like it was my religion. I HEART HINDSIGHT

    8. Karla on Mar 12, 2015 11:44 pm

      Vh1 needs to renew Hindsight. If it gets cancelled I will be devastated. I’m such a big fan. I need to know what happens to Becca in the elevator such a perfect ending.

    9. Karla on Mar 12, 2015 11:46 pm

      Save Hindsight

    10. Maria on Mar 14, 2015 11:35 pm

      Please renew! Love this show!!!

    11. Jey tv on Mar 15, 2015 5:23 pm

      I agree 100% with alex. Couldn’t have explained the shows faults better myself. Watching Hindsight is like watching a 40mins advert for emptiness. the show is never funny or dramatic enough, it just settles for a monotonous tone, with every other line a terrible reference. the only 90’s sensibility the show has is the low quality that some of that decades programming had.




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