So a long time ago, I came up with this fanedit idea to re-edit Smallville into a mini-series spanning 10-11 episodes, or "Acts" as I came to call them (10 Acts and an Epilogue). The core idea of The Man of Tomorrow is to use footage straight from the television series itself, with very minimal material from other live-action elements, to craft together an alternate experience of the Smallville story. This isn't my attempt at saying my ideas and takes are better than what the television show itself pulled off, just a creative revamp of what the story could've been if told in a different format.
So what I ended up doing over a very long period of time was followed the series and jotted down episodes, scenes, story contexts, along with the most major and minor moment I truly felt could tell a more faithful story to the various classic Superman mythos and still stay very respectful to the show itself. In the format of a mini-series, this allows The Man of Tomorrow to span time much quicker than the ten seasons covered in the core series, for example Clark's time in high school is covered within the first three Acts. He still has that transitional time between graduation and taking on the mantle of a dual-identity in Metropolis, not fully doing such till around the end of Act 5. But between the middle of Act 3 and end of Act 5, I did find I could craft together a gripping transition including the character's world travels (which the series itself never really tackles), returning home to his family, Fortress Training, and the goodbyes needed to make before venturing to Metropolis.
With the limits the series presented, there was only so much differing story material I could do in terms of Clark's actual time in Metropolis, though I do save the first time he formally meets Lois and Jimmy for when he gets his job at the Daily Planet. How am I doing things like that and the world travels with Smallville material, you'll be surprised how so many different story contexts can be melded together to bring that into possibility. On the same token the limits within Smallville are challenging in that I only had a very small percentage of iconic Superman material, still had to save fully mastering flight for as late as Act 10 (though each prior Act does have at least one moment building toward that), and only had so much material to sneak in with Clark wearing a pair of Glasses (you can only count on two hands how many eps have that, though this time it's his own idea!).
Some ideas I have may not be very popular, Chloe pretty much vanishes after high school graduation, I don't give Clark and Lex a doomed friendship (though they do meet in identical circumstances and maintain a strange afar bond over this story), I do manage to sneak in a few other DC heroes for minor roles (two of them are mere cameos and only one has a speaking role) while still toning down how much of the broader DC mythos to include, and the second half of the story's main baddie is Zod. Sadly I wasn't able to include nearly as much Jimmy Olsen material as I wanted in context of the kinda story I wanted to tell, he does have a major role in Act 5, but for the most part his presence and Perry White's even more are much less than in the genuine series. Fair warning to Lana fans, her part of the story is also done not too long after Chloe's, no longer appearing after Act 5.
As for some ideas that I have a fondness for, I did implement what I found to be some of Smallville's best action sequences and inclusions of Superman lore rogues. Now there is a very familiar story twist with Jonathan Kent in Act 4, but surprisingly I was still able to keep the character's presence very strong thanks to a few key returns from John Schneider, in fact Jonathan actually has more material with Clark in the second half of the story than Martha! I don't wanna give away too much, but I did wanna flesh out what I felt to be the best of Smallville's best moments in a totally different story perspective, but more than anything this story is still about the journey over the destination and some folks may be very surprised about how I crafted the evolution of Mr. Kent's dual-identity and war with a certain General.
Now to the big question some may have, what does this fanedit have to do with a fanfic, after all this is the fanedit forums! Answer is simple, I actually wrote down a scripted format of this fanedit in a thorough preparation for editing this mini-series together. The Man of Tomorrow is not written in the traditional format of how a fanfic or novel would be written, rather it's formatted more like a script transcribe. As you will all notice, every scene is taken straight from Smallville and therefore you will be able to see these scenes playing in your head as you read the dialogue and scene exposition-bits. I will post all 10 Acts and the climatic Epilogue, please do keep an open mind this is an ElseWorld and let me know what you all think!
So what I ended up doing over a very long period of time was followed the series and jotted down episodes, scenes, story contexts, along with the most major and minor moment I truly felt could tell a more faithful story to the various classic Superman mythos and still stay very respectful to the show itself. In the format of a mini-series, this allows The Man of Tomorrow to span time much quicker than the ten seasons covered in the core series, for example Clark's time in high school is covered within the first three Acts. He still has that transitional time between graduation and taking on the mantle of a dual-identity in Metropolis, not fully doing such till around the end of Act 5. But between the middle of Act 3 and end of Act 5, I did find I could craft together a gripping transition including the character's world travels (which the series itself never really tackles), returning home to his family, Fortress Training, and the goodbyes needed to make before venturing to Metropolis.
With the limits the series presented, there was only so much differing story material I could do in terms of Clark's actual time in Metropolis, though I do save the first time he formally meets Lois and Jimmy for when he gets his job at the Daily Planet. How am I doing things like that and the world travels with Smallville material, you'll be surprised how so many different story contexts can be melded together to bring that into possibility. On the same token the limits within Smallville are challenging in that I only had a very small percentage of iconic Superman material, still had to save fully mastering flight for as late as Act 10 (though each prior Act does have at least one moment building toward that), and only had so much material to sneak in with Clark wearing a pair of Glasses (you can only count on two hands how many eps have that, though this time it's his own idea!).
Some ideas I have may not be very popular, Chloe pretty much vanishes after high school graduation, I don't give Clark and Lex a doomed friendship (though they do meet in identical circumstances and maintain a strange afar bond over this story), I do manage to sneak in a few other DC heroes for minor roles (two of them are mere cameos and only one has a speaking role) while still toning down how much of the broader DC mythos to include, and the second half of the story's main baddie is Zod. Sadly I wasn't able to include nearly as much Jimmy Olsen material as I wanted in context of the kinda story I wanted to tell, he does have a major role in Act 5, but for the most part his presence and Perry White's even more are much less than in the genuine series. Fair warning to Lana fans, her part of the story is also done not too long after Chloe's, no longer appearing after Act 5.
As for some ideas that I have a fondness for, I did implement what I found to be some of Smallville's best action sequences and inclusions of Superman lore rogues. Now there is a very familiar story twist with Jonathan Kent in Act 4, but surprisingly I was still able to keep the character's presence very strong thanks to a few key returns from John Schneider, in fact Jonathan actually has more material with Clark in the second half of the story than Martha! I don't wanna give away too much, but I did wanna flesh out what I felt to be the best of Smallville's best moments in a totally different story perspective, but more than anything this story is still about the journey over the destination and some folks may be very surprised about how I crafted the evolution of Mr. Kent's dual-identity and war with a certain General.
Now to the big question some may have, what does this fanedit have to do with a fanfic, after all this is the fanedit forums! Answer is simple, I actually wrote down a scripted format of this fanedit in a thorough preparation for editing this mini-series together. The Man of Tomorrow is not written in the traditional format of how a fanfic or novel would be written, rather it's formatted more like a script transcribe. As you will all notice, every scene is taken straight from Smallville and therefore you will be able to see these scenes playing in your head as you read the dialogue and scene exposition-bits. I will post all 10 Acts and the climatic Epilogue, please do keep an open mind this is an ElseWorld and let me know what you all think!
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